Have you had a chance to visit the inside of an HGR warehouse? All of our industrial surplus inventory is available, 24/7 online, but if you get a chance, our locations are an experience that is not to be missed.
Read more to find out what the inside of our warehouses are like and how you can visit!
Continue reading Have You Seen the Inside of Our Warehouses?
What is your job title?
I am a marketing administrator.
What are your job responsibilities on a day-to-day basis?
I call on manufacturing companies to talk to them about HGR buying their surplus equipment. If they have surplus, I then enter the information I gathered into our customer relationship management (CRM) system as a lead and set an appointment for the buyer to view the equipment and put in a bid if we are interested. Continue reading Get to Know HGR’s Ludie Toles
(Courtesy of Guest Bloggers Bill and Colleen Ulbrich, co-owners, American Eagle Antiques)
I started American Eagle Antiques in 1973 in my home state of New Jersey. Shopping local flea markets sparked an interest in antiques, particularly furniture. I was buying and selling for several years before I married Colleen, a native Clevelander and good friend from student days at Case Western Reserve University. Continue reading American Eagle Antiques believes in unique, quality furnishings and excellent customer service
Did you know that Cleveland was ranked by National Geographic as one of the top 21 best places in the world to visit? It was called, “An industrial city that pulsates with creative energy.” And, they noted neighborhoods with great restaurants, including Ohio City, Tremont and East 4th St. Cleveland came in at No. 14 and was one of only two locations in the United States that made the list. The selections were made based on an evaluation of the city, nature and culture. Cleveland ranked third for culture.
Here’s the full list so that you can see our competition:
We know that Cleveland’s great because of the amazing people and businesses that are located here. Although, I’m proud to call Cleveland home, I’ve made it to Vienna, Dublin, and San Antonio. Have you been to any of the 21 places on the list or have plans to visit soon?
When did you start with HGR and why?
Feb. 28, 2011. At the time it sounded like a challenging position where I could use my education and sales experience to meet with large manufacturing firms to purchase their surplus equipment. Six years later, it’s still challenging, and I enjoy the people I work with tremendously. I plan on being with HGR for the duration.
What is your territory, and what do you do on a daily basis?
I cover most of Wisconsin and Cook, Boon, McHenry, and Lake Counties in Illinois. I contact customers to arrange times to look at their surplus equipment, follow up on offers and buy deals!
What do you like most about your job?
Best part about this job is that it’s different every day. The process of setting up meetings, getting out offers and buying deals is consistent, but there’s never the same deal twice. Keeps me sharp.
What’s your greatest challenge?
My greatest challenge is the ongoing and always-changing needs of our customers.
What’s your most interesting moment at HGR?
Most of the buyers’ meetings have interesting moments. Too many interesting moments to pick the most interesting. It’s a good deal to get together with coworkers/friends and be around the other buyers who are experiencing the same day-to-day activities.
What do you enjoy doing when you’re not working?
I enjoy being outside and most water-related activities with friends and family. Wisconsin has outdoor activities for every season; so, I’m thankful for where I live.
Who is your hero or greatest influence/inspiration, and why?
I’m not a hero worshipper. I’m influenced by successful people every day and try to emulate things that make them successful. My inspiration is self-improvement; there’s always room to get better with everything.
Anything you’d like to add?
I’m glad I work with such a good group of lads in the Buy Department. Every time we meet in Cleveland, I’m reminded what a great team of people work for HGR with the same goals as my own.
From Sept. 22-24, some folks from HGR Industrial Surplus and Jason Radcliffe of 44 Steel, Aaron Cunningham of Three Barn Doors and Larry Fielder of Rust, Dust and Other 4-Letter Words will be onsite on the second floor of Ingenuity Fest, Cleveland, finishing the live build of three pieces of contemporary, industrial-designed furniture that were started after the F*SHO, a contemporary furniture show, which was held on Sept. 15 in HGR’s 500,000-square-feet showroom.
The designers selected industrial-surplus equipment from HGR’s showroom to use in the build of the furniture. We’ll all be there Friday and Saturday evenings and Sunday afternoon. Then, the finished furniture will be displayed the week of Sept. 25 in HGR’s lobby. We will host an auction, and the highest bidders will be proud new owners of one-of-a-kind pieces. All proceeds will be donated to hurricane relief in the Houston area.
Stop by our area on the second floor at Ingenuity to learn more about HGR, if you’ve never strolled through our showroom of anything and everything that you could imagine, and watch Jason, Aaron and Larry in action. They’ll be happy to share tips and tricks with aspiring makers and designers.
We can’t wait to see the finished products!! Make sure to check HGR’s Facebook, Twitter or website, or grab a card at Ingenuity to learn how you can bid on these one-of-a-kind pieces of furniture.
(Courtesy of Guest Blogger Paula Maggio, PR specialist, HGR Industrial Surplus)
Students are back in the classroom. And that means students in the metals classes at Cuyahoga Falls High School are back at their work benches, safety goggles in place and welders in hand.
The school offers two one-semester courses in metals within its Industrial Technology and Manufacturing Program. In them, students develop foundational skills in metal fabrication and metal joining processes. They learn introductory industrial mathematics, design, basic metallurgy and metal forming. In addition, they learn theory and applications of a variety of welding and fusing processes including soldering, oxy-acetylene cutting, welding and brazing.
Students design and build projects and make repairs using the techniques they learn. We stumbled upon the students — and some of their creations they have dubbed “Hot Work” — at the Cuyahoga Falls All-City Art Walk last April.
Walk along with us as we show you some of their creations.
(Courtesy of Guest Blogger Kevin Morin)
What do you do for a living?
I’m mostly retired. After my divorce, I left the business that I built in the ex-wife’s hands but I’m still a co-owner. Age-wise (later 60s), I have some health-related limitations due to welding work for many years in the oil field. I do CAD work, wood and metal sculpture and some welded aluminum boat work but not 9-5 five days per week.
How did you get into art and making?
I’ve always been interested in drawing from before I went to government school in the 50s. My father introduced me to tool use, and by my teens I’d learned to build models of balsa wood of my own design. In the 70s, I apprenticed with a local welder and then bought my first power supply and began experimenting, learning other modes of welding after starting with stick. As I worked in the trades I realized I could use my trade skills to build art or furniture; so, I began to experiment in those areas- eventually I began to build welded aluminum fishing boats for the local salmon fishery.
What do you design and make?
I’ve designed houses for friends, furniture, sculptural pieces, vehicles for specific tasks, welded aluminum boats from 3-feet long to 36-feet long, and built all these items in wood or metal over the years.
How did you learn to do this?
Most often, I’ve read on a tool use subject, then purchased a modest-cost version of that set of tools from wages, then worked with the tools to increase my skills and finally invested in more sophisticated and higher-precision tools, and that progression was parallel to the quality improvement in my projects. I have worked in the welding trade in both oil and gas as well as boat building, and I did some finished carpentry/joinery in both the commercial and housing market, as well as designing and installing the interior of a few live-aboard-sized boats.
What artists, designers or makers do you most admire?
I don’t know the names of the people whose work I most admire. I may see their work once in a while online (Pinterest) or receive an email with someone’s project pictures. However, I can’t say I really know their names but often can recall their ‘hand’ when I see another piece of that artist’s work.
What inspires you?
Like most people who imagine ideas of objects to build, I have a semi-constant stream of ideas that appear as color 3D images in my mind’s eye. I believe that my ideas come to me from outside my own perception but not sure the source except that is seems to be external. Shape is the primary influence that inspires me. I like flowing streamlined shapes. They appeal to my aesthetic sense of design.
So I’m inspired by the grace of the forms of animals in motion, as well as the grace of the lines of some vehicles or furniture to design and build my take on those flowing forms.
What do you do when you aren’t working or making art?
Not much work these days. Arthritis slows me down. I spend lots of time drawing on the PC using various CAD applications. I’m learning to cook and find that enjoyable to prepare dinners for the family. I read a lot and sketch constantly, as I refine ideas and explore concepts that may be worth building.
What advice do you have for others?
Most industrial-skills-related art that I see online lacks strong design fundamentals. I think the skill of most people doing this work is much higher in the related trade or tool use than in the conception and drawing skills. I’d suggest more time and priority be given to the development of the ideas, forms and content.
What is your personal philosophy?
My philosophy about art is that the creation of physical pieces that originate in our imaginations should be for the enjoyment of the viewer, user, collector. As the builder/maker, I have my own enjoyment of the process from conception to creation; so, once a piece is complete I’d like to have made something that will be a “thing of beauty; forever.”
(Courtesy of HGR Customer and Guest Blogger Christopher Palda)
How I became an HGR customer
I heard of HGR Industrial Surplus mainly from word of mouth. I used to deal with McKean Machinery where my boss sent me until it was bought by a New York firm and they got rid of the odds and end. As a result, they lost some customers. Many people that buy the little stuff at HGR see the large ticket items and send others they know who need these items. Employees left McKean to start HGR; so, it was a natural transition. You’ll see some of the things I’ve bought at HGR mentioned in the story below.
Recently, my workplace bought a MIG welder at HGR for the construction of Dan T. Moore Company’s plastic extrusion and rolling machine that is the size of a room. It’s for extruding plastic and rolling it into film. What they had at the welding supply store was not what we needed. We required a 100-percent duty cycle machine that could run all day long and found one at HGR.
What I do for work
I’m a die maker and do die repair, hydraulics, welding, machine tool wiring, basically an industrial maintenance technician who handles anything electrical, hydraulic and mechanical. I work for Mahar Spar Industries. A spar is the main strut in a sailboat, and the founder’s name is Mike Mahar. He started out making spars and sailboat masts in his garage in his spare time, and the business evolved from that point. Many ask me the origin of that unique name. I’ve been there for 20 years, and prior to that I was at NASA Glenn Research Center doing composite metallurgy research for jet engine applications and at the same time on a joint project working at Cleveland State University doing metallurgical research in the chemical engineering department where I built the metallurgy lab.
Some of the things I’ve built
One of the items that I am proud of that mostly came from HGR is a hyperbaric chamber. My doctor said that it would be helpful for my health to use one, but medical insurance wouldn’t cover treatments for this off-label use that was proposed; so, I came to HGR and built my own from used air compressor parts for pennies on the dollar. A new one for medical purposes costs $75,000. They usually are purchased by hospitals and medical facilities to treat diabetic patients with wounds that won’t heal, necrotizing fasciitis, carbon monoxide and cyanide poisoning, and scuba diving accidents and are used in clinical studies and trials to increase brain function in people with autism and a few other applications. I am a diver, but luckily haven’t had an accident yet and have not had to use it for that purpose. It cost me about $4,000 to build mine. By dumb luck I found a medical air compressor at HGR normally used in a dental office for the chamber along with a $1,200 medical oxygen regulator for $15 that just needed to be rebuilt. It basically functions as an isolation chamber, and you breathe pure oxygen through a mask as the oxygen regulator increases its output by using the chamber pressure as a reference point.
We do projects for the Dan T. Moore Company, who also is an HGR customer. Dan believes Cleveland doesn’t have enough bike trails; so, he dropped off a small bulldozer and wanted it converted into a bike trail cutting machine. With our custom attachment it became something that looked like a bulldozer, meat grinder, snow blower hybrid. Some of the hydraulic parts came from HGR. He also wanted to build a steel mill in Bolivia at one point in the past, and we were doing a mockup of the process. We needed a large blower. His people were going everywhere else looking for stuff. I found one at HGR that looked and roared like a jet engine that was 125hp, and it worked great!
Additionally, I do maintenance work at a bakery that has a huge electric oven made in Italy that you can’t get parts for; so, you have to manufacture the parts yourself. Its internal electric flash boiler caramelizes the bread giving it that hard crust by explosively filling the deck with wet steam at the beginning of each bake cycle. The original boiler could not keep up and self-destructed. I copied the basic design with some improvements and made one five times larger. Some of its parts came from HGR.
I also work for Whitney Stained Glass Studio doing artistic metalwork restoration and conservation along with fabricating window frames. Projects include the windows at Stan Hywet Hall and the restoration of the outside stained glass lamps for St. James Catholic Church in Lakewood after a bird built a nest in it. The owner turned it on, and it caught on fire, which melted the solder. I had to strip the patina to fix it, which is considered a no no because it was covered in plastic. I said, “Watch me age this thing 100 years in minutes.” I stuck it in bleach and salt water and put power to it like in a plating operation and totally corroded the thing in 40 minutes.
To put the hyperbaric chamber together, I needed to purchase a large TIG stick welder. I found a Miller at HGR for a fraction of the cost of a new one. It didn’t work and needed a little TLC, but if I buy it and it doesn’t work out it’s nice to know I can return it within 30 days. I got it for the cost of the copper scrap, gave it a bath, found a simple control issue and brought it back from the dead. It pulls 105 amps at 240 when I’m welding heavy aluminum. I would turn it on and watch the neighbor’s lights dim. Is the problem 2B solved or not to be? That’s the question. A trip down HGR’s Aisle 2B for some capacitors solved the problem, and the neighbor’s lights didn’t dim anymore. The effect is like pouring a glass of beer. You want the beer but not the foam. These capacitors get rid of the electrical equivalent of the foam.
You know the big speaker in the opening scene of Back to the Future? I said to a friend, “Cool, let’s build one.” A 5-hp stereo system was born! The neighbor would call me for requests when I fired it up in the summer while he was cutting his lawn as long as I played his stuff. The neighbors didn’t like heavy metal, and that’s when the heavy metal station Z Rock was on the air and when I hit the heavy-metal stage in my development.
Building a fire-breathing dragon for the play “Reluctant Dragon” at a children’s theater in 1985 was a blast. When I adapted an old CO2 fire extinguisher and put red lights in the mouth and eyes, it worked first rate. My electronics business in my parent’s basement when I was 10 or 11 aided in paying for this lunacy.
Cleveland Heights High Schools auditorium has huge 300-pound chandeliers. One of them dropped about 35 feet while they were trying to change the light bulbs and smashed into smithereens — a mangled, twisted mess. Redoing all the artistic metal work was a challenge while many others at Whitney Stained Glass restored the stained glass globes.
Near-death experiences
Back in the caveman days, there were only five TV stations. You had to have a movie projector to watch movies. My dad got two 35mm machines from a drive-in that went out of business and modified the optics to work in a house. We had a movie theater in our basement. I was born with mechanical ability, but I learned and worked with my dad who also was handy and was a self-taught mechanical and electrical and hydraulic engineer. He designed tooling and stamping dies along with pollution control in power plants. I could set up and operate these machines as a kid, and when my dad took off the TV back to work on it I saw that there was what looked like a small roll of film inside the that I thought had the Bugs Bunny cartoons on it. He yelled, “Don’t touch that! That is the fly back transformer and has 15,000 volts on it!’
He fixed the TV but left back off. One day, while I was watching it, the picture got odd. I realized the cat was inside. When I went to grab the cat so she would not get hurt, she jumped out and my hands landed on the flyback transformer and lit up blue. Afterward, I felt like lightning had hit me. I woke 15 minutes later across the room and had a revelation — that’s why it’s called a flyback transformer because when you grab one that is what you do!
Another time, as a little kid in the car at the gas station, I asked my mom why the man had a garden hose and was putting water in the car. Mom said it was gas but she wished it was water because it’s cheaper. At home, I put five gallons of water in the car to save mom money after I noticed the spout on the lawn mower gas can fit the end of the garden hose. We ended up stranded the next time we drove it.
I’ve had eight various experiments with electricity. It’s amazing that I’m still alive. I wondered how a vacuum cleaner worked. My dad explained the process of how it worked starting with electrons moving in the cord. I had to find out what an electron looked like; so, I opened up paper clips and was determined to go to the outlet and pull one out. I had two paper clips, one in each side. When they touched, there was a fiery explosion that burned my hands. I got to see a lot of electrons!
My vaporizer broke when I was sick. My dad fixed it by making a new part on his lathe. I saw how it opened up when he took it apart. When everyone was gone, I took it apart while it was plugged in and threw handfuls of salt at it with water to watch the explosions. The power main want “bang” as everything went dark in the house. A voice from downstairs yelled, “Christopher, what did you do now?”
I know that your career in reclaimed art started when you rescued broken slate roofing tiles being torn off of buildings. Why did you do that?
I saw the tiles leaning on the side of a random building as raw material that was neglected. There was something so beautiful sitting there broken. It prompted me to buy an industrial-grade wet saw so that I could cut the fragments into small pieces that could be used for creating mosaic surfaces. I guess that I saw myself in the tile as I went through periods of neglect and wanted to be scooped up and turned into something new. It was subconscious. We learn and heal by doing. It was the beginning of my therapy. I went on to create an entire product line of picture frames, mirrors, benches, and tabletop accents that I sold through stores and galleries coast to coast. Now, 20 years later, I design products in a wide variety of reclaimed materials, including wood, steel and glass.
Did you create art prior to that time? Were you always an artist?
I have been selling my handmade creations since I was 14 years old. Eventually, I began freelancing as a graphic designer and worked in sales and marketing. In 1997, I was between jobs and bartending at night so that I could have time to make and sell my functional art during the day. Starting and growing is thematic for me. I found that I missed the process of building with my hands when using a computer all the time, but working with reclaimed construction materials was a bit of an education back then. This was before the term Going Green had been coined or the Maker Movement was a thing; so, people had to be taught about why industrial salvage was so amazing.
How did you go from being an artist to having a business and a fabrication shop that sells to top U.S. companies?
I spent many years selling my handmade art, furniture and gifts at festivals and trade shows across Ohio and beyond. Every year taught me something new about consumer buying habits, my products’ unique selling features, and how to drive more sales. In 2010, I grew out of the festival scene and set up a permanent showroom inside 78th Street Studios. Once I presented my work in a more sophisticated manner with an actual point-of-sale system, I was able to attract more serious customers who wanted me to create custom furniture, wall features, corporate gifts, and high-end home décor. Once the demand grew, I had no choice but to farm out aspects of production to various fabricators I trusted. That was the only way for me to scale.
How has your work evolved?
I went from being known as just a fine artist to being a successful product designer to now expanding into interior design services. Recently, I curated the two-bedroom model suite of a 306-unit multi-family housing development at The Edison at Gordon Square, filling it with custom art and furniture that I designed with the help of many local makers in Cleveland.
Who is your favorite artist?
Andy Goldsworthy, a prominent eco-artist of our time, works with found organic materials to create biomimic outdoor sculptures. He then takes photos as they decompose over time. It’s stunning work. Since I’ve been focusing more on accessories and small furniture these days, I have been very interested in other product designers and what they are doing. I’m a huge fan of Nottingham Spirk and all the products they’ve invented for major brands around the world. They design for function not just beauty, and that’s very important to me.
What kinds of items are you currently making?
I just launched a new jewelry item a few months ago that I can’t keep in stock – The Cleveland Bolo. It’s made from real leather and scrap pieces of .5” square steel rod from my buddy’s metal shop. It’s very simple but modern. Other makers in town build tables out of reclaimed wood, and, sometimes I will dig through their piles of scrap for discards that I can repurpose into some small product. I call that polyclaiming, when the material is on its second or third generation of being repurposed.
Why did you locate at 78th Street, and why Cleveland?
In 2010, I went out to look for a location where people were already starting to migrate for art and design. 78th Street had the only thing going with dozens of makers in one place, as one destination. Plus they had the marketing and programming to back it up rather than simply being a sleepy live/work building.
I’m from the Southwest – born in Los Angeles but grew up in Scottsdale, Denver and Boulder. The desert and the mountains have definitely influenced my aesthetic. Right out of college in 1992, I married a man from Cleveland, and through that experience I also fell in love with the city. Before that, I had never been further east than the Mississippi. Ultimately, I became fascinated with the organic and industrial paradox of Cleveland, which has inspired my design aesthetic from the beginning. We truly are a forest city.
What made you decide to make Movers & Makers, your TV show that was piloted locally on WKYC and is being shopped to networks right now?
Having been in business for 20 years with a distinct brand around handmade, artistic products, I felt it was time to share my story with a broader audience both inside and outside of Cleveland. The purpose of Movers & Makers as a TV show is to propel the Maker Movement and my role in it through an entertaining platform. I see great value in giving more air time to the creative process and not just to the before and after. Besides, there’s a huge audience of women out there who are strong DIY champions and who are capable of things their mothers weren’t. Through woodworking, welding, and computer technology, they’re making all kinds of things and becoming entrepreneurs in the process. That’s what it’s all about. I love the instant gratification skills, like welding, and showing women how easy it is to try something new without fear. By following the furniture or art projects my team and I work on, Movers & Makers shows America that when you apply your creative mind, amazing things are possible. People don’t have to be intimidated.
What do you enjoy doing when you are not working in your studio?
I really enjoy yoga, which grounds me physically and spiritually, but I’m a huge fan of horses, hiking, walks along the beach and dancing. I was also an all-state shortstop in high school; so, I love throwing the baseball around. Three years ago, I got behind an indie folk rock band as a manager and helped them produce and promote two albums. I have three kids — 15, 13 and 12; so, I guess I just wanted them to see by example how to experience the richness of life.
Have you shopped at HGR?
In 2010, I became a customer when I heard about HGR from a guy in my building. I told him that I was looking for a rolling cart. He sent me to HGR where I met Tom Tiedman, my salesman, with whom I’ve worked all these years. I’ve repurposed carts, cleaned them up, and inlaid reclaimed wood to make killer side tables. Recently, I bought a bin of washers that were welded into a sculptural award for Crain’s Cleveland Business. I’ve also purchased practical things like filing cabinets and office equipment.
What’s next?
In the coming weeks, my partners at Mont Surfaces and I are launching a webisodes series about my Reflective Design philosophies for creating a sense of calm through various home improvement decisions. I’m a big fan of designing mindful spaces, so the furnishings, the materials, and the colors support well-being. Sourcing salvage items that hold special meaning for the homeowner is a huge part of that. The series will be posted at www.susiefrazier.com, or you can come to one of 78th Street Studios art walks, called THIRD FRIDAYS, taking place on the third Friday of every month from 5 p.m. to 9 p.m. We will most likely run this on a monitor throughout the night.
What is your philosophy?
Making the brokenness beautiful.
(Courtesy of Guest Blogger Brenna Truax, a sophomore University of Cincinnati industrial design student)
I am a 2016 graduate of Walsh Jesuit High School, where I excelled in math and sciences, while developing my interest in the visual arts. I became interested in photography and co-founded the school’s Photograph Club. I completed several sets of senior pictures for my peers. The art teachers at Walsh Jesuit, Mrs. Doreen Webber (emeritus), Ms. Karen Forfia, and Ms. Cheryl Walker provided guidance and unique perspectives.
The University of Cincinnati’s Design, Architecture, Art and Planning Department is nationally recognized in industrial design and architecture. I originally planned to pursue a career in architecture and learned of the industrial design program while on a tour of the university. I immediately recognized my deep interest in product design.
In early May, I was contacted by Mr. Eric Dimitrov, my former physics teacher at Walsh Jesuit, regarding the opportunity to design industrial-themed office equipment and art for HGR Industrial Surplus’ newly renovated offices in Euclid, Ohio. After meeting with Gina Tabasso, HGR’s marketing communications specialist, we toured the facility and collected various items to use for my projects and for Walsh Jesuit’s Fabrication and Engineering clubs. So far, I have used the materials to design a series of desktop organizers, a coat rack, and a planter. Thanks to Mr. Dimitrov and Akron Makerspace, I am working to complete these projects by the end of July.
Stay tuned for future photos of how they turned out!
Collinwood Photographer Stephen Bivens stopped by HGR’s offices on May 23 for a Q&A and to conduct a photo shoot with his model, Felissa. He chose HGR for the juxtaposition between elegant and industrial/urban. He will be using the photos on his new website and social media.
Tell us about your style of photography.
I’m interested in industrial spaces, old bridges, urban decay, condemned houses or vacant houses. I learned on film and in black and white. I still tend to shoot that way. I send my film away to be developed. I have a studio in my home but I do not have my own darkroom.
How did you hear about HGR?
I talked to Industrial Artist Larry Fielder of Rust, Dust & Other 4-Letter Words when I was looking for an industrial space in which to shoot models. He’s an HGR customer and suggested the location.
When did you seriously get interested in photography?
About 12 years ago I bought a 35mm pocket camera with film and started taking pictures of people. People thought it was cool and began to pay me to take their portraits. I started reading books and buying cameras.
What brought you to Collinwood?
I worked in Tampa for Progressive in sales and marketing. I was promoted and moved to the headquarters in Cleveland. At first, I lived in Mayfield Village close to the office. My then-girlfriend, now-wife lived in Collinwood. We used to go to a coffee shop and an art gallery there. We volunteered to be sitters in the gallery to keep it open for visitors. The area is really cooperative with artists, and the artists are cooperative with sharing locations, methods and secret sources. After I left Progressive, we moved back to Florida to follow my ex-wife and kids, but when they moved out West, we moved back to Collinwood.
Who have you photographed?
I got in with a group of artists and bands then did tour photography, mostly hip hop and rock. To do so, I had to take vacations from work. About five years ago, I left Progressive to do photography full time. For three months, I had no work then slowly it picked up. To supplement my income, I shot portraits. I take photos at The Beachland Ballroom and drive to regional concerts now. I shoot the photos for the bands to use promotionally. I’ve worked with local businesses such as Six Shooters Coffee and at The Crossfit Games.
Who is the most memorable person that you have shot?
I was LeBron James’ party photographer during his rookie year. I also loved shooting Alternative/Folk/Country Artist Jessica Lea Mayfield.
What do you enjoy doing when you aren’t shooting photos?
I’m a former Marine. I like to shoot guns, too. I love music and concerts, especially grunge.
Photos provided courtesy of Stephen Bivens Photography
Head to our Facebook page to guess what piece of equipment or machinery is pictured. To participate you MUST meet the following three criteria: like our Facebook page, share the post, and add your guess in the comments section. Those who guess correctly and meet these criteria will be entered into a random drawing to receive a free HGR T-shirt or other cool items.
Click here to enter your guess on our Facebook page by 11:59 p.m. on Monday, June 19, 2017. A winner will be drawn and announced the following week.
When did you start with HGR and why?
2004, but I moved into the buyer role in 2014. My friends and I were at a Hell’s Angels dry poker run for Ronald McDonald House. One stop was a local bar called Stingers near HGR. Since it was the last stop, we thought we’d have a beer and ended up meeting Mike Lima, HGR’s shipping manager at the time, who said they were looking for someone in the incoming department. I applied, and they hired me. I also used to shop at McKean and HGR for years, especially on Wednesdays when we could have a free lunch and shop. I thought it was the neatest place. There’s no other place I’ve come across like HGR with its enormous size, its magnitude and what it does — even in all my travels now.
What were you doing before HGR?
I managed a metal finishing and plating company and was familiar with most of Mike Paoletto’s customers that he’s bought from. I like machinery and woodworking and have always been around it.
What is your territory, and what do you do on a daily basis?
Southern Missouri, southern Illinois, southern Kentucky, 75 percent of Tennessee, northwestern Alabama, Mississippi and Arkansas. I live about 30 minutes from Memphis.
Monday is office day to get caught up. On average, I am away from the house overnight 1.5 days per week. I travel from company to company looking at equipment and purchase what we can, which is about 15 percent of what we look at, on average. I see about three businesses per day but have seen up to six.
What do you like most about your job?
Meeting new people and new companies. At HGR, I saw all this equipment coming in but never saw it in operation, but now I go to huge manufacturing companies and get to see extrusion lines and robots in action and realize, “Oh, that’s how it’s made.” Every day is new in learning, and the job is fascinating.
What’s your greatest challenge?
The technology. I am not a computer person. When I first took this job, the only experience that I had was as an inventory clerk at HGR putting in information. And, I had a flip phone. The owners of HGR took a huge leap of faith giving me this position. Brian said, “Let’s give this guy a chance. He’s a good worker and always on time.” I was never late once and lived 30 minutes away. Even Rick had to teach me how to copy and paste.
When did you start with HGR and why?
2004, but I moved into the buyer role in 2014. My friends and I were at a Hell’s Angels dry poker run for Ronald McDonald House. One stop was a local bar called Stingers near HGR. Since it was the last stop, we thought we’d have a beer and ended up meeting Mike Lima, HGR’s shipping manager at the time, who said they were looking for someone in the incoming department. I applied, and they hired me. I also used to shop at McKean and HGR for years, especially on Wednesdays when we could have a free lunch and shop. I thought it was the neatest place. There’s no other place I’ve come across like HGR with its enormous size, its magnitude and what it does — even in all my travels now.
What were you doing before HGR?
I managed a metal finishing and plating company and was familiar with most of Mike Paoletto’s customers that he’s bought from. I like machinery and woodworking and have always been around it.
What is your territory, and what do you do on a daily basis?
Southern Missouri, southern Illinois, southern Kentucky, 75 percent of Tennessee, northwestern Alabama, Mississippi and Arkansas. I live about 30 minutes from Memphis.
Monday is office day to get caught up. On average, I am away from the house overnight 1.5 days per week. I travel from company to company looking at equipment and purchase what we can, which is about 15 percent of what we look at, on average. I see about three businesses per day but have seen up to six.
What do you like most about your job?
Meeting new people and new companies. At HGR, I saw all this equipment coming in but never saw it in operation, but now I go to huge manufacturing companies and get to see extrusion lines and robots in action and realize, “Oh, that’s how it’s made.” Every day is new in learning, and the job is fascinating.
What’s your greatest challenge?
The technology. I am not a computer person. When I first took this job, the only experience that I had was as an inventory clerk at HGR putting in information. And, I had a flip phone. The owners of HGR took a huge leap of faith giving me this position. Brian said, “Let’s give this guy a chance. He’s a good worker and always on time.” I was never late once and lived 30 minutes away. Even Rick had to teach me how to copy and paste.
What’s your favorite place to eat when you are on the road?
My favorite place to eat with the best burgers is Abe’s Grill in Mississippi. It’s 100 years old with 10-15 seats.
What do you enjoy doing when you’re not working?
My wife and I bought a house that was owned by a single mom who thought duct tape fixed everything; so, I spend a lot of my free time working on the house and outside in the yard. My wife said that she would really like a pool; so, we put an in-ground pool in last year.
Who is your hero or greatest influence/inspiration, and why?
My mom and dad. Mom because she gave me a great sense of humor. She taught me to laugh at myself. Dad because he gave me a great work ethic. He was a foreman at Ford Brookpark Foundry for more than 25 years. He’d leave for work at 5:30 a.m. in a white shirt and come home with a grey shirt. He had a stretch of about 150 days where he worked every day with no time off. He also is a combat Marine Corp. veteran who served in Korea. He taught me that if you work hard in life you get benefits.
Anything I missed that you want the rest of the team to know?
At HGR, if you give 100 percent and work hard, ownership will recognize you when a position becomes available. They’re always open to give someone a chance.
What do you enjoy doing when you’re not working?
My wife and I bought a house that was owned by a single mom who thought duct tape fixed everything; so, I spend a lot of my free time working on the house and outside in the yard. My wife said that she would really like a pool; so, we put an in-ground pool in last year.
Who is your hero or greatest influence/inspiration, and why?
My mom and dad. Mom because she gave me a great sense of humor. She taught me to laugh at myself. Dad because he gave me a great work ethic. He was a foreman at Ford Brookpark Foundry for more than 25 years. He’d leave for work at 5:30 a.m. in a white shirt and come home with a grey shirt. He had a stretch of about 150 days where he worked every day with no time off. He also is a combat Marine Corp. veteran who served in Korea. He taught me that if you work hard in life you get benefits.
Anything else that you want everyone to know?
At HGR, if you give 100 percent and work hard, ownership will recognize you when a position becomes available. They’re always open to give someone a chance.
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